Creative Composition & Critique

 
 

Creative Composition
& Critique

£139.00

Whether you are into landscape or lifestyle, abstract or architecture, street or studio, wedding or wildlife – great composition is the key to a successful image. Understanding how to compose a photograph to maximum effect is a fundamental step in a photographer’s journey towards developing a distinctive style.

Number of people

About the Course

We are delighted to offer this 1 day creative composition and critique workshop, suitable for all photographers wishing to get a more complete understanding of the ‘art of composition’.

With a maximum of 6 students on the course, the venue provides the perfect environment to better understand what makes a great photograph – and most importantly, what will make your photographs stand out from the crowd. Students will be invited to bring a selection of their own photographs for compositional critique, to help discover or evolve their own personal style.

There is a common belief that there are a set of prescribed “rules” relating to photography, which unfortunately can prove a hindrance to the development of emerging photographers; we believe that no art-form should be constrained in this way! This creative composition and critique course aims to do is to introduce students to a set of design “principles”, which the user can elect to use or not, depending on the statement he or she is aiming to make. These principles not only relate to photography, but are commonly used by artists, graphic designers, film-makers and even architects.

The creative composition and critique course examines the conventional views of composition, which many already understand but encourage students to develop a confident approach to composition. The course also addresses how to elevate your composition in the post processing stage.

About the Tutor

Author of 16 books, Tony Worobiec studied fine art at The University of Newcastle upon Tyne and spent 18 years as head of a large design faculty in Dorset. He has won awards for photography in the UK and internationally, and has had work exhibited in London’s Barbican Gallery, Bradford’s National Museum of Photography, The Menier Gallery London and The Fox Talbot Museum Lacock. He is a founder member and until recently chairman of the prestigious Arena Group of Photographers. Dozens of his photographs have been used for book or album covers.

His work has appeared in many photographic magazines both here in the UK and in America. More recently he has developed an expertise in digital imaging, exploring both monochrome and colour techniques and has been invited to write extended articles for specialist digital photographic magazines such as Black & White Photography, Practical Photography, Total Digital Photography, Digital Photo Digital Camera and Photo Techniques USA.

Creative Composition & Critique

£139.00

Whether you are into landscape or lifestyle, abstract or architecture, street or studio, wedding or wildlife – great composition is the key to a successful image. Understanding how to compose a photograph to maximum effect is a fundamental step in a photographer’s journey towards developing a distinctive style.

Number of people

About the Course

We are delighted to offer this 1 day creative composition and critique workshop, suitable for all photographers wishing to get a more complete understanding of the ‘art of composition’.

With a maximum of 6 students on the course, the venue provides the perfect environment to better understand what makes a great photograph – and most importantly, what will make your photographs stand out from the crowd. Students will be invited to bring a selection of their own photographs for compositional critique, to help discover or evolve their own personal style.

There is a common belief that there are a set of prescribed “rules” relating to photography, which unfortunately can prove a hindrance to the development of emerging photographers; we believe that no art-form should be constrained in this way! This creative composition and critique course aims to do is to introduce students to a set of design “principles”, which the user can elect to use or not, depending on the statement he or she is aiming to make. These principles not only relate to photography, but are commonly used by artists, graphic designers, film-makers and even architects.

The creative composition and critique course examines the conventional views of composition, which many already understand but encourage students to develop a confident approach to composition. The course also addresses how to elevate your composition in the post processing stage.

About the Tutor

Author of 16 books, Tony Worobiec studied fine art at The University of Newcastle upon Tyne and spent 18 years as head of a large design faculty in Dorset. He has won awards for photography in the UK and internationally, and has had work exhibited in London’s Barbican Gallery, Bradford’s National Museum of Photography, The Menier Gallery London and The Fox Talbot Museum Lacock. He is a founder member and until recently chairman of the prestigious Arena Group of Photographers. Dozens of his photographs have been used for book or album covers.

His work has appeared in many photographic magazines both here in the UK and in America. More recently he has developed an expertise in digital imaging, exploring both monochrome and colour techniques and has been invited to write extended articles for specialist digital photographic magazines such as Black & White Photography, Practical Photography, Total Digital Photography, Digital Photo Digital Camera and Photo Techniques USA.

Creative Composition & Critique

£139.00

Whether you are into landscape or lifestyle, abstract or architecture, street or studio, wedding or wildlife – great composition is the key to a successful image. Understanding how to compose a photograph to maximum effect is a fundamental step in a photographer’s journey towards developing a distinctive style.

Number of people

About the Course

We are delighted to offer this 1 day creative composition and critique workshop, suitable for all photographers wishing to get a more complete understanding of the ‘art of composition’.

With a maximum of 6 students on the course, the venue provides the perfect environment to better understand what makes a great photograph – and most importantly, what will make your photographs stand out from the crowd. Students will be invited to bring a selection of their own photographs for compositional critique, to help discover or evolve their own personal style.

There is a common belief that there are a set of prescribed “rules” relating to photography, which unfortunately can prove a hindrance to the development of emerging photographers; we believe that no art-form should be constrained in this way! This creative composition and critique course aims to do is to introduce students to a set of design “principles”, which the user can elect to use or not, depending on the statement he or she is aiming to make. These principles not only relate to photography, but are commonly used by artists, graphic designers, film-makers and even architects.

The creative composition and critique course examines the conventional views of composition, which many already understand but encourage students to develop a confident approach to composition. The course also addresses how to elevate your composition in the post processing stage.

About the Tutor

Author of 16 books, Tony Worobiec studied fine art at The University of Newcastle upon Tyne and spent 18 years as head of a large design faculty in Dorset. He has won awards for photography in the UK and internationally, and has had work exhibited in London’s Barbican Gallery, Bradford’s National Museum of Photography, The Menier Gallery London and The Fox Talbot Museum Lacock. He is a founder member and until recently chairman of the prestigious Arena Group of Photographers. Dozens of his photographs have been used for book or album covers.

His work has appeared in many photographic magazines both here in the UK and in America. More recently he has developed an expertise in digital imaging, exploring both monochrome and colour techniques and has been invited to write extended articles for specialist digital photographic magazines such as Black & White Photography, Practical Photography, Total Digital Photography, Digital Photo Digital Camera and Photo Techniques USA.

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